A catalogue of genre-bending experiments, bold new voices, and revelatory career peaks.
Featuring songs by Frank Ocean, Radiohead, Kendrick Lamar, Amy Winehouse, et al.
“The more specific you make something, the more universal it is.”
Trey Edward Shults’ family drama sinks under sordid plotting.
Following their acclaimed scores for Gone Girl and The Social Network.
There’s a wealth of quality cinema out there if you’re willing to look for it.
It Comes at Night and Krisha mastermind talks atmosphere and keeping films small.
Trey Edward Shults’ sophomore feature is a chilling and powerful experience.
Krisha director Trey Edward Shults has returned to ruin our lives again.
Despite some rough patches, this year offered hope for the future of filmmaking.
Plus, an in-depth conversation about the rest of the best and those yet to come.
Trey Edward Shults’ remarkable debut recalls an older, more intimate indie filmmaking.
