The culmination of the MCU’s first decade begins with this overstuffed, largely effective feature.
It’s all been leading to this.
Ruben Östlund’s barbed take on the emptiness of modern art culture is savagely hilarious.
This Vietnam-era update of the Kong legend is stylish and surprisingly brutal throughout.
Brie Larson and Samuel L. Jackson have some real monkey business on their hands.
Sorry Godzilla, but to paraphrase Denzel, you ain’t got shit on King Kong.