Consequence of Sound
Menu
Skip to content
News
Pop Culture
Tour Dates
Festival News and Rumors
Music
Music
New Music
Album Streams
Late Night Performances
Track by Track
Origins
Music Videos
Artist of the Month
Song of the Week
Upcoming Releases
Music Instruments and Gear
Film
Film Reviews
Top Performances
Comics to Screen
TV
TV Reviews
Top Episodes
Netflix
Amazon Prime
Disney+
Hulu
HBO Max
Reviews
Album Reviews
Film Reviews
TV Reviews
Festival Reviews
Concert Reviews
Features
Anniversaries
Cover Stories
Editorials
Festival Hype
Interviews
Lists
Rankings
Podcasts
The Opus
Going There with Dr. Mike
The Side Track
This Must Be the Gig
The Losers’ Club
Kyle Meredith With…
Halloweenies
Assembly
Psychoanalysis
Ghost Echoes
The Horror Virgin
Staff Lists
Annual Report 2019
Best of the 2010s
Top 100 Albums
Top 100 Songs
Top 100 Singers
Top 100 Music Venues
Best of the 2000s
Wellness
Coronavirus
Artist Livestreams
Things To Do
Things To Watch
Music Instruments and Gear
Store
Heavy
Heavy Music News
Heavy Music Interviews
Heavy Music Concerts
Heavy Music Premieres
Heavy Culture
Beyond the Boys Club
Mining Metal
CoS Live
Festival Outlook
Videos
Search for:
Press Enter
Press Escape to Close
Click to Search
Search
Search Results
see all results
Consequence Podcast Network
Audio on the go to stay in the know
Kyle Meredith’s Best of 2020 Pt. 1: Stephen Malkmus, Ed O’Brien, Paul Banks, and More
Sarah Megan Thomas Delivers Commentary Track for David Fincher’s The Social Network
David Cross on How Feedback Informs Standup Comedy
Brian “Head” Welch on Living With Depression, Addiction, and Self-Hatred
Better Watch Out Finds Terror Under the Christmas Tree
Paul Stanley on Kiss’ Record-Breaking New Year’s Eve Show
Revisiting Mick Garris’ The Stand Miniseries In the Middle of a Pandemic
The Origin Story of Carlos Santana’s Abraxas
We Need to Talk About Kevin Is a Heartbreaking Study of Psychopathy
The Jerky Boys on the Current PC Culture
Moisés Zamora Delivers Commentary Track for Alejandro Amenábar’s The Others
David Cross and His Love-Hate Relationship with the Audience